- Projects
- Helmholtz Munich 2025
- Subway Bonn main station
- GOHA Cologne 2024
- Kinderzentrum Bethel Bielefeld 2023
- Federal Ministry of Health Berlin 2022
- Medical practice Düsseldorf 2022
- BKA Berlin 2021
- DKFZ Heidelberg 2020
- Nangang Exhibition Center Taipei
- DKFZ Heidelberg 2019
- House Mitanand Bregenz 2017
- KIT Karlsruhe 2016
- Bloomberg LP Parc Ave NYC 2016
- Fraunhofer Institut Stuttgart 2016
- Handwerkskammer MG 2015
- Kö corona Düsseldorf 2013
- Airport BER 2012
- Goethe Institute Prag 2012
- The Procurement Office of the Federal Ministry Bonn 2011
- Uniklinik Düsseldorf 2011
House Mitanand Bregenz 2017

tangle, residential care home Mitanand, Fußach-Höchst, AT

tangle, residential care home Mitanand, Fußach-Höchst, AT

tangle, residential care home Mitanand, Fußach-Höchst, AT

Devotion, residential care home Mitanand, Fußach-Höchst, AT

Devotion, residential care home Mitanand, Fußach-Höchst, AT
Tangle and Devotion
Exterior facade and prayer room of the nursing home “Haus Mitanand”
Höchst/Fußach, AT
- Tangle
- Laser-cut, 6 mm aluminum, powder-coated, LED backlit
- Diameter 480 cm
- Devotion
- Gold leaf on glass
- Direct invitation from curator Judith Reichart, Bregenz, AT
Through my engagement with the building, its function, and the grounds that house several institutions, it was important to me to explore the theme of "togetherness" in a sensually associative way.
Formally, the work is abstract, but I start with a controlled element of chance and use everyday objects to determine the form. In this case, I scanned rubber bands, scaled them, and composed them precisely for this location. The ring, in its layering, as a union—as the formation of a unity—as a structure and intersections, as a symbol of communication and cohesion.
In contrast to the open, floating, overlapping intarsia for the prayer room, the rings in the "tangle" intersect compactly into a tangle – a closed, yet organically appearing unit. The ruby-red "tangle" has a signaling effect during the day, while at night the color recedes, leaving only its corona visible, creating a beautiful interplay.
In the prayer room, I applied amorphous, organic-looking rings of gold leaf to the large window overlooking the courtyard. Working on the wall requires meticulousness and concentration, as the leaves are applied piece by piece. Time and slowness are important aspects of the work. The "here and now" is the central theme. The rings form intersections and overlaps, suggesting spatial depth through their varying sizes and line thicknesses. They move upwards like air bubbles, becoming smaller, fewer in number, and less dense, seemingly disappearing "above."
This can be interpreted, if one wishes, as something turned towards heaven.
Heike Weber, 2017